The Autobiography of E. Alice Isak

dedicated, with love


“A rose is a rose is a rose is a rose.” ~ Gertrude Stein
“I rise is I rise is I rise is I rise.” ~ Alice Isak

🌹 🌹 🌹

My name is Alice Isak, and I feel like a woman reborn.

Risen like a—no, wait.

First you’re gonna need some backstory.

Like many others, I started blog-writing under an assumed name. For all the usual reasons: privacy, discretion, a desire to say whatever I felt without provoking uncomfortable impasses with family or angry outbursts from a recently-ex’ed ex-spouse. And one other thing:

I hated the person I’d become so much, it hurt to see her name in writing.

Call it my midlife crisis, if that helps.

The stereotype of the “midlife crisis” centers on the experiences of our culture’s classic Everyman: a white man climbing the corporate ladder, solidly middle-class, able-bodied and able-minded, definitely straight. Midlife-Everyman is wealthy enough to trade in his car for something fancier, more prestigious—a red convertible, perhaps, straight from the production line. He may trade in his wife for a newer model as well, equally shiny and topless.

According to the cliché, when our Everyman realizes his life is half-over, he says to himself: “I am not the person I thought I would be.” And he despairs.

For many women I know, midlife is the time when we say to ourselves: “I am still the person I thought I had to deny.” And though we may break for a time—suddenly feeling the weight of burdens long denied and longer carried—in the end, we do not despair.

We get angry.

We get loud.

We start to holler—often for the first time—our own damn truths, in our own damn voices.

“So what name’re you gonna use?” B asked me, when I told her about my blogging plans.

“Last name, dunno yet. First name? Gotta be Alice.”

Her bark of laughter came through so loud I had to hold the phone away from my ear.

“Of course it’s ‘Alice’! I should have known. How could you pick anything else?!”

Alice, the name of my imaginary friend in childhood. Of the stray cat who adopted me in Texas. Of the girl who fell down a rabbit hole and discovered her world turned askew.

Alice, one half of my favorite literary love match. The seeming-silent half, whose voice became the poet’s own.

♦ ♦ ♦ ♦

Paris, 1907

By all accounts, Alice B. Toklas was not much of a looker. Yet Alice had a speaking voice that could beguile stone.

“Like a viola at dusk,” James Merrill once described its sound.

When Gertrude Stein first met the woman who would become her lover and constant companion for the next 39 years, the avant-garde poet was immediately drawn to the magical voice that came from this whispy drudge of a woman, writing:

“[Alice] wore a large round coral brooch and when she talked, very little, or laughed, a good deal, I thought her voice came from this brooch. It was unlike anyone else’s voice—deep, full, velvety, like a great contralto’s, like two voices.”

When Gertrude died in 1946, I suspect she took both of Alice’s voices with her.

Love, when lost, does that to us sometimes.

(Carl Van Vechten, 1934)

♦ ♦ ♦ ♦

I was vaguely familiar with the story of Gertrude Stein and Alice B. Toklas back in 1987, when my same friend B and I went to the local arthouse theater to see a movie about these two women, set one summer during the 1930s. Since “Waiting for the Moon” was a less-than-captivating film, I left the theater as vaguely informed as when I had arrived.

But no matter. I was at an age where even boringly pretentious stories about a lesbian poet and her lover seemed luscious and worldly.

I felt luscious and worldly just by proximity.

Hanging around the parking lot afterward, for whichever of our mothers was running late to pick us up, I challenged B to join me in memorizing lines from Gertrude Stein’s poetry while we waited. (You must understand: I already knew I would be a Real Writer when I grew up, the kind whose stories were immortalized in arthouse theater cinema. Of course I had come with a volume of Stein’s poems stashed in my handbag.) Acting in that distinctly-teenage style that mixes adult interests with childhood joys, she and I skipped and splashed through the parking lot’s puddles, chanting verses I did not understand—and have never forgotten:

Powder in wails, powder in sails, [splash splash] powder is all next to it is does
wait [splash] sack rate [splash] all goals like chain in clear. 

Around this same time, I also saw a production of the musical revue “A… My Name is Alice,” a searingly funny play that had premiered in NYC a few years earlier. Consisting of 20 or so songs and monologues, performed by five actresses each taking on a kaleidoscope of roles, the whole thing felt reminiscent of the prior decade’s “Free to Be… You and Me”—or like what “Free” would have been, had it been written in the trenches of second-wave feminism. I did not catch all the insider joking, but I caught enough to be delighted.

My favorite shtick was the Poetess, a harried-looking character who wandered onto the stage at various points to recite odes of despair and abandonment from a giant book, which read “FOR WOMEN ONLY POEMS” in large block-lettering across its cover.

“I am Woman, a wounded bird. F-flap, F-flap, F-flap!” concluded one poem. Another: “I am Woman, a neglected flower. D-droop, D-droop, D-droop!”

I made B listen to me perform these cartoonish lines again and again, complete with arms flapping and my head sinking in melodramatic victimhood:

“I am Woman, a dying swan. Aah-AWK! Aah-AWK! Aah-AWK!”

I dissolved into pealing laughter every time, so infectious she could not help but laugh along. (You must understand: I was in love with B back then—and also with myself. In love with the world’s possibilities and the taste of its words in my mouth.)

Love brings out our best selves.

Phrased another way, feeling loved makes it safe for our deepest selves to emerge. For our truest voices to speak.

Phrased another way still, if you feel unseen and unvalued by the people closest to you, your true self may hide, collapse, go silent. Even if the unloving person tells you that what they are offering is love.

Even if that person is your husband.

Even if that person is family.

I misunderstood this fact. I thought my joyous, wordy, mouthy self was a gift B lent me that belonged to her alone—not an aspect of myself that she brought out. Over time, I stopped cultivating my heart outside of B’s presence.

Over time, I stopped speaking with my own voice ever.

♦ ♦ ♦ ♦

New York City, 1934

When Gertrude Stein disembarked onto US soil for the first time in 30 years, she was greeted not by her usual anonymity but by countless reporters. The book she had published the year before had rendered her famous and wealthy.

(Cecil Beaton, 1936)

That best-selling novel, The Autobiography of Alice B. Toklas, was an act of literary ventriloquism. Possibly of literary and autobiographical thievery. Or, it was a feat only of commitment, its author presumed to have full and free permission from the woman whose voice she wore.

The entire text is written as Alice spoke, gossipy and distinctive. It far outsold any book Gertrude ever published in her own voice, whether prose or poems. It far outsold Alice’s actual autobiography, written many years later in the same voice. (Which is to say: in Alice’s voice.) I once read a literary critic’s whimsical speculation that Alice herself may have been the true author of The Autobiography after all: writing as Alice writing as Gertrude writing as Alice.

Did they know, I wonder. Did they know, these two women, where Alice ended and Gertrude began? Where Gertrude fell silent, and where Alice emerged?

Or did they simply prefer to speak their two voices as if from one throat?

Love, when found, does that to us sometimes.

♦ ♦ ♦ ♦

Silencing, when forced upon us, is an excruciating process.

Whomever you swear allegiance to, in the hopes of surviving such silence—a wounding spouse, a wounded parent, some foreshortened image of yourself long since out-grown—the moment always comes when you must choose yourself, if you would live.

If you wish then to remember the sound of your own voice, open your throat and listen to the howl that emerges.

It’s the only way to be sure.

♦ ♦ ♦ ♦

Père Lachaise Cemetery, 1967

All metaphors break down eventually.

All people, too.

When Alice B. Toklas finally died (over two decades after the woman who had loved Alice to the point of becoming Alice’s voice), she was destitute. Although some romanticize her poverty—pointing out that she never sold a single piece from the priceless collection of artwork left to her in Gertrude’s will, and claiming love as the reason—the harsh reality is: the Stein family, despising the unconventional (and not legally recognized nor recognizable) marriage of its scion, broke into her lover’s home and spirited away the paintings, locking them in a bank vault for the next 20 years, until Alice’s death at last freed them to be sold.

Alice published her own autobiography in 1963, titling it (Autobiography of already being taken): What Is Remembered. The book ends abruptly with Gertrude’s death, as if Alice’s memories stopped forming when her lover stopped being.

Perhaps Alice felt she had stopped then, too.

This is always the risk when loving someone as yourself, who is not yourself.

♦ ♦ ♦ ♦

In the middle of my life, I started writing under not only an assumed name but also an assumed persona. As “Alice Isak,” I have been loud, opinionated, angry. Sometimes tender. Often almost fearless.

Do I know (I wonder) where Alice stops and I begin? Can I tell when my voice falls silent, or when Alice’s voice emerges?

Once I would have said yes.

Today I would say: the love we lose and find can be for ourselves too, sometimes.

Over the past month, a blog post I accented with naked bathroom selfies has been viewed thousands of times. Last week, I learned that an editor has decided to publish an essay I wrote mapping my life’s trajectory through experiences with masturbation. Which suggests it may be time to stop thinking of myself as a writer still choked on shame and silence.

Incidentally, friends have started calling me by the name “Alice” not just online but in the brick-and-mortar world as well.

Of greater significance?

I have started answering.

My name is Alice.

I am a woman reborn.

Like a phoenix, I have risen from the ashes of that silent self I once was.

Listen carefully—you might hear me singing.





“The Autobiography of E. Alice Isak” is part of an ongoing memory project.
The entire series can be found here.

[Images of Alice Toklas and Gertrude Stein via]

64 thoughts on “The Autobiography of E. Alice Isak

  1. Found this piece again. Re-read it. Still one of the most powerful things I have ever read. (Full disclosure: I don’t tend to read literary works. But, I think this definitely qualifies as a piece of elevated reflection.) I hope the writing continues somewhere and in full bloom for I do not want to think the rose of your writing is fading.

    Liked by 1 person

    1. The writing does indeed continue, and thank you so much for inquiring! I’m working towards less literally-tied pieces (‘Fracture Mechanics’ is an example) and thinking bigger in scale. The sweet siren song of writing something book-length!

      Liked by 1 person

  2. I sort of backed my way into blogging, never considering the ramifications of using a pen name. Doesn’t everybody want notoriety, after all? But I like the idea of renaming, re-identifying. Now I wish I could go back and choose who I want to be in a name. But then, I consider, what name? I would try on childhood heroes from Saturday morning cartoons…but the first name I think of was Isis and I suspect I would end up on a watch list somewhere. Wonder Woman is not only pretentious, but probably copyrighted. And my favorite Power Puff Girl, Buttercup, isn’t from my actual childhood, but my perpetual one. So that would be cheating. No matter what name I choose, they all feel like ill-fitting hats: pretty, but meant for someone else’s head.

    Liked by 1 person

    1. I like that hat metaphor! It’s a bit of a strange thing to contemplate, isn’t it, how deeply we (or most of us, at least) come to feel like the name we are given as newborns?

      I suspect it will be always be one of the strangest experiences of my life, the day last December when I suddenly realized my given name felt like it fit again. #likeWOAH I still use both “Emily” and “Alice” fairly interchangeably, depending on context, but there is real comfort in feeling as though *both* of them fit, finally.

      Liked by 1 person

  3. The poetry of your writing waters some arid place in me. At times your/our pain made my finger hover over the Unfollow button, but I always, thankfully, stopped that frightened, reactive, Done-To girl from severing that artery. The broach at my throat sings a descant around and through your melody. I will not stop the music.

    Liked by 2 people

    1. “The poetry of your writing waters some arid place in me.” What a beautiful gift your language here is. Thank you. Thank you. So glad you trusted my words enough to stay.

      Liked by 1 person

    1. It really, really is! 😀 (Her laugh, I mean. Though I’m pleased with how well this piece turned out, too. Feels like I’m getting a better handle on my own “voice” all the time…)


  4. Wow – wow- wow! Beautifully done! You seamlessly weaved so many touch points – historical, personal and universal in such a complex, subtle and thoughtful way. The tone is much quieter but, for me, speaks infinitely louder. As a reader I leaned in not wanting to miss a single word. Brava!

    Liked by 1 person

    1. Thanks!! I’m trying to be more conscious about ways to expand these personal experience stories into connections that are broader-reaching — so glad to hear that came through for you here. 🙂

      Liked by 1 person

  5. I never use an assumed name. I have started writing blog posts and attending writing class only after I graduated to break out of my psychological bindings. So far, it has been a lot of hits and misses. I have learned a lot from your posts and I thank you for it.

    Liked by 1 person

  6. Beautiful! Poetic AND profound! I often wonder about what loving someone deeply does to my voice. I’ve slowly worked to add voices to my existence that support what’s already there, but also voices I admire for things I may not feel courageous enough to speak yet. You are one of those voices my friend.

    Liked by 1 person

    1. I love this reflection of yours — thanks for sharing! (btw, I looked up “If I told him” this morning after your DM. Wasn’t familiar with it before, thanks for sharing the giggles!)


    1. Oh yeah. “Living authentically.” That’s a big one — important, and yet also: who t’hell even knows what it really means. I suspect it’s one of those moving targets; the most any of us can probably do is to ground ourselves in each day the best we are able.

      Re. therapists: I used to bring my blog posts to therapy to read aloud (still do, on occasion!). Which is to say: I have a much straighter spine and braver tongue on here than I always manage in person.

      Liked by 1 person

    1. Thank you! I’m pretty pleased with it, too. Feels like I’m finally getting a handle on these pieces — what I’m doing, why, how the methods and message and structure and purpose can all work together. And the voice of the writing, too. (Which is were the thinking behind this particular bit of story-telling started.)

      Now, of course, the question becomes: what to do next? what to do bigger? [Quick-n-Random PSA: Remember, kids! Size doesn’t matter!] Am assuming I won’t shock you into oblivion if I mention that the dreaded “book?” thought has been rearing its hoary head again…

      Sigh. Whelp.

      Liked by 1 person

        1. Yup! The most manageable (not to mention sanity-supporting) way to proceed, usually.

          You’ve seen the Memory Project page I maintain, perhaps? I’ve been thinking of these posts as small bites of a large sandwich for some time…

          Liked by 1 person

  7. Ah, the lesson learned: silence is a lie! And to be able to read those particular poems – read only one word at a time (one word, one line, one breath – as you step past the things in life they represent. Maybe not a literary understanding as so many have already written, but that’s the way my heart-strings feel those pieces). Thank you for your moments of power-present self; women need to be female need to be complete need to be the beginning and the start and the dualist – of arms that crush with love and passion and grief. All of it. And it is not silent. Nothing is silent while it yet lives. Not even a rose!
    Love you work!

    Liked by 1 person

    1. ooh! A Stein enthusiast with tips for how to engage with her work?!! Many thanks! Your strategy reminds me of the way I’ve found to appreciate abstract expressionist painting, like Barnett Newman’s (from the same time period, now that I think of it) — stand quite close, so that the canvass fills my entire field of vision, and then move slowly down the length of the paining, taking it in.

      A method that tends to make the museum guards a touch nervous, I’ve noticed! But some things can’t be helped. 🙂

      Thank you for reading, for your comment, and especially for the enthusiasm of your heart-strings!


      1. I tried for about 10 minutes once–or being generous to myself, maybe twice–before I decided life was too short and Stein wasn’t really filling one of the voids in my life. I can’t say I’m eaten with regret. I admire your strength of character.

        Liked by 2 people

        1. Fun fact: That line about “a rose is a rose etc etc”? Which Stein used in some 4 or 5 different pieces of writing? It was Alice who told her to make it a catch-phrase. Got Gertrude to put it on her stationary and everything.

          Which sorta makes me wonder if (personal squishy feelings aside) Alice didn’t have her own moments of reading Stein…and coming up bupkus too.

          Liked by 3 people

  8. Oh hell…you have me crying again. This really has to stop, and this time it is not only a flood of tears because you are YOU, but also because you have reached that long swan’s neck into some exposed areas of my own being and caused me to wonder if perhaps you Alice, and my own ‘Alice’ have been quietly and telepathically communicating. Love and joy to you Alice Isak

    Liked by 1 person

    1. Yeah, I can see that. Do I need to do a #sorrynotsorry thing here? 😉

      I do grieve with you for the place you feel stuck in. Your post today WAS beautifully written — and heart-breaking as well. Because there are no easy answers.

      Deep love to you, my friend.

      Liked by 1 person

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