Gingerbread

Y’know the fable about that boy who grabs a fist of nuts out the bottom of a narrow-necked jar and can’t get his hand back out? And then boy-o stands there like a putz, cuz he doesn’t wanna let go his booty—or refuses to realize if he lets some nuts go, he can pull a few others out and actually eat ’em?

Yup, that’s the one. You got it.

This story?

Is not that story.

Offer me a jarful of nuts, I won’t just turn ’em down; I’ll gnaw my hand clear off while you watch. I know it’s a trap you’re holding, even if you’re still kidding even yourself on that score.

Don’t bother pointing out the gaping abyss in logic here.

I’ll take your finger too, in a single bite, and t’hell makes you think I haven’t seen your logic myself already?

* * *

gingerbread-house

Let’s be real clear about this upfront: nobody sees a house made of food, in the middle of a forest surrounded by famine, and doesn’t think “TRAP,” right off.

NO.
BODY.

Not even my fool brother, who charged in all slavering tongue and greedy fists even as I’m shaping my mouth to fit the word “waaait…”

Too starved for sweetness by then, that boy, and for once I’m not talking food. Whereas me, I was full up on account of those breadcrumbs I’d been shoving in my gullet just as fast as I could grab ’em off our trail without him seeing. Faster’n any blue-ribbon winner at a county pie-eating contest, that’s for sure.

Another thing to get clear? That trick the first time, with the white pebbles: not my idea. Wouldn’ta gone back at all, except I thought the kid was gonna pop a blood vessel, he lobbied me so hard not to make him trudge through the darkness following stones on his own. Figured out why, too, once we got home and he presented me up like I was a fine-pelted rabbit he’d been made late catching, and maybe the old man would enjoy the skinning of me himself?

(Half-stew and half-gentlelady’s decoration. All sacrifice. Story of my life.)

I had no mind to get tricked back a second time. House-trap vs. wide open world-trap’s not even a contest.

Sure, food’s more cooked, less scavenged, in one-a those places. Don’t kid yourself about safety, tho. There’s plenty ways to find yourself torn apart and eaten, wherever you bed down. Up to me, I’ll always lay my odds on the woods with the wolves and brown bears and no walls against winter.

Or—better even than the wild—lemme live in the bottom of a jar. The longest, narrowest bottle you can find, with the longest, narrowest neck. Something so skinny even two fingers alone, acting like pincers, would find me too fat a cargo to pull up and out. I’d play bait in that trap and gladly; anything for sleep undisturbed by hungry, grasping hands.

Just make sure it’s not like Jeannie’s bottle, and me now served on a platter anytime some dude with a crewcut and a stiffie dream gets an itch he wants scratched.

* * *

Witches get a bad rap. More’n half the time, just some old crone puttering about her herb garden, starved for company and maybe a little cracked in the melon, putting just enough disjointed gossip in her talk so’s a listener could puzzle out wicked imaginings, if he were dead set on it. If he had bad intent or was running a few eggs short of a dozen himself, I mean. And most of the rest split pretty evenly between Women with too much power, Women with too much independence, and Women with too comely a set of gams for the neighbor’s wife’s taste.

My witch was all three, and one helluva cook to boot.

She taught me how to make souffles that would rise to the ceiling and never fall. How to guarantee the flakiest of buttermilk biscuits, and how to caramelize sugar without once burning my stirring hand. How to know by sight when a simmering compote is ready to jar into jam.

She taught me subtler magics too: how the scent of brewing coffee wafts fastest along the pre-dawn air, when your skin still tastes of the darkness just about to break. How knowing the names of all the trees and flowering bushes makes the wilderness feel less wild, and when that is (and is not) the outcome you most desire. How the touch of a woman’s breath soft against my nape makes all my skin goosepimply, as if taken with a sudden chill, even as my insides go hot. All this, she showed me.

And I roasted her in a 48″ stainless steel convection gas range with matching hood.

Like I said at the beginning: every offer hides a trap underneath. Love’s the worst trap of all. You don’t just gnaw off your hands and feet to get outta that one. With love, you gotta pull the beating heart out your own chest and leave it behind entire, warm and pulsing on the hors d’oeuvre tray.

Don’t look back.

But what about my brother, I hear you asking—sweet-toothed boy slowly gnawing himself an escape tunnel through the wall, like some perverse Shawshank-Meets-Willy Wonka escape heist. Did he also get away? And if so, did he again return home—or bushwhack his own new path forward?

I never looked back to see.


[“Gingerbread” is part of an ongoing collaborative writing project using myths & fairy tales as tools to critique, resist, and heal from the impact of gender norms and sexual violence.

For more of the series.]

24 thoughts on “Gingerbread

  1. Great story. “Don’t look back.” I often say that to myself! I’ve known a few witches along the way and I have to say that given the chance their combined wisdom could change the world permanently for the better. But who’d want that?!

    Liked by 1 person

    1. Indeed! Dunno if you ever saw this piece by Sarah Gailey? She does a thorough breakdown of the types of witches we see in our cultural narratives and how they represent different views of — and fears about — female power.

      [Via http://www.tor.com/2016/10/03/why-we-write-about-witches/ ]
      “When we write witches into our stories, that is what we’re writing about: power. When we write witches, we are writing about our expectations of women, and what we hope—and fear—they would do if they had access to power. Fictional witches act as ciphers that help us understand something that seems at once mysterious and brilliant and sinister: a woman’s ultimate, unlimited potential… realized.”

      Like

  2. So good. So very, very VERY good. Love how you wax eloquent and lyrical and then, BAM! “… I roasted her in a 48″ stainless steel convection gas range with matching hood.”

    Your blog is a treasure. I am so grateful that you write.

    Liked by 1 person

  3. I think this one is my favorite so far of the series. I have a clear sense of Gretel, sauntering off down the forest path, never looking back as you note with a sly smile playing at her lips. Only the squirrel on the branch above her witness to her profoundly salient remark, “F**k you bitches…”

    Liked by 1 person

  4. This story… well this whole series fires something up in me that I can’t find normal descriptive words for. It’s the feeling I get from the power of myth, mixed with the powerful feeling I get in the presence of the best storytellers, then combined with the electric power I feel in the presence of a strong, smart, insightful, self-aware woman. Especially one I know and love — even though that word is seldom uttered in our conversations.

    Liked by 2 people

    1. Thank you, I appreciate hearing that. It’s an out-of-the-norm genre for me, and I like the space that working in non-non-fiction gives me to be angry, factually imprecise, emotionally uncareful, etc. But I’m never quite sure how it will go over with the folks who regularly read here!

      Like

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