Seems I cannot shower enough during these dark, chilling days of autumn. For reasons I still find curious.
What reasons, you ask.
I could tell you. I could say that I like the heat and how the wet steam rises, or that I am washing off the stench of each day’s ever more rancid news, or that I have a new-found dedication to feminine conventions and shave my legs now twice daily, maybe my pubes too. In fact, I like these answers. I think I will tell you one of them. Or you just pick yourself a favorite, and pretend it’s what I said.
Pretend I did not tell you the truth: that I am still learning what it means to feel, in all the senses of the word and of the senses, and it is only when hot water hits me everywhere and all at once that I can remember the names of human emotion.
Most of the time I spend standing in the shower I am crying. Don’t read too much into that, though.
She slouches in, ever the surly adolescent;
slides like a grouch into her chair.
Her father, Priam, last king of the impregnable city (Lo how the mighty walls of Troy forever fall)
is griping again his common complaints of shifty royal advisers
and tax collectors delinquent for the season.
Queen Hecuba purses her lips and frowns; passes down green beans
instead of the mashed potatoes her daughter asks for.
Heaving a weighty sigh, Cassandra tries to catch the glance
of a close-seated sibling, second eldest among her 50 brothers.
Fails, as expected. (Paris’s eyes already so full of Helen
whose beauty he has yet to see. Hands already so full
with the taste of her, he snatches in practice at scullery maids,
at the cook’s assistant; bears them off unwilling
into closets and dark corners—previews
of the world-ending snatch-and-run yet to come.)
The prophet sees in the distance her own snatching,
how this time next year she’ll be knocked up with the Sun God’s curse— would-be curse, she corrects herself; disbelief comes as a burden only to those unaccustomed to being disbelieved—
and laughs, distracted—a beat too soon,
interrupting her father’s joke before its punchline.
A minute later, redeems herself from his glare by laughing again,
this time at just the right moment in just the right way.
Under the table, she cups her ever-to-be-unpregnant belly
already swelling with a god’s seed,
already feeling the stories push and flutter beneath her skin.
I lost my father too, y’know.
Do you see me drowning my hair in ash,
refusing to sleep anywhere but under the kitchen table?
I don’t have a second mother neither,
showing up like magic if I’m ever careless enough
to lose the first one. Nope, just the standard issue—
telling me how much easier I’d be to love
if I lost a little weight,
if I chopped off a little toe.
So I play by the rules, so what.
Doesn’t mean I wrote ’em.
And don’t think for a second I didn’t notice
that little run-and-stumble you pulled on the stairs.
Tripping hard enough to “lose” your crystal shoe
but not hard enough to break it?
Guess it’s true, that old saying: Them what has, gets. And those of us who don’t have? Lose.
We lose right down to the bone.
Not strictly speaking a “villainess,” I suppose, yet I am struck by the level of vitriol that gets heaped on ‘bad sisters’ in our fairy tales and other lore. Cinderella’s stepsisters. The kind and the unkind girls of Grimms’ Frau Holle or Charles Perrault’s Diamonds and Toads [which I first came upon while researching for my own The Writer Dreams of Rivers]. Even the greedy Goneril and Regan, King Lear’s eldest daughters, fall into this pattern in their contrast with the devoted Cordelia.