Fracture Mechanics

Pilots don’t talk.

Pilots only yell.

ROGER TOWER CLEAR TO OPTION OVER – NEGATIVE CONTACT ON VISUAL – SKYHAWK ONE NINER FOXTROT CHARLIE TANGO ON APPROACH

A full year of Saturdays spent in the air, and this is what the girl has learned. (Not that she hadn’t heard yelling before.)

But maybe if the pilot wasn’t wearing an enormous headset. Maybe if she wasn’t wearing earplugs. Maybe if the airplane’s single front propeller wasn’t so loud it makes her tummy queasy and even the drugs her mom makes her swallow each time before takeoff don’t stop the airsickness so finally she starts wearing earplugs as the only thing that lets her fly without vomiting into a bag.

Maybe if the pilot wasn’t her dad.

Or if she had chosen to be here, or could choose to leave.

Even if she could just understand what lesson this weekly punishment with the plane and the shouting and the long silences is meant to teach her—or at least when it will stop, when she will finally be seen as having learned her lesson enough to go home—maybe then she might be learning something more than shouting.

SKYHAWK ONE NINER FOXTROT CHARLIE TANGO

CLEAR

But, she thinks, also maybe not.

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When Oedipus Was a Woman

Don’t tell me I’ve got my facts wrong.
Or fall to the fallacy of Freud, imagining only sons
can threaten a father’s throne, or evoke a mother’s passion.
I know a hero’s plotline when I’m born into one.

The Sphinx first tipped me off.
I had come with a riddle of my own: What is happening
to the babies? My princely brothers each disappearing
as suddenly as he arrived, my mother’s arms empty
as her belly again flat.
“Oracles can be misheard,” the Sphinx said, with a shrug
and rustle of her wings, “or misbelieved. Daughter, son, child who shall—“
She bent to sniff my offering: half a lunchtime pb-and-j
and a handful of goldfish crackers, then lipped one cracker
and crunched it, open-mouthed. “What oracles don’t?
Is misspeak. Gotta listen with the same precision.”

I left her growling happily over my sandwich,
lion’s tail curled around her paws like a housecat.
Considered carefully her words. Came to a decision.
Plotted my next moves. A culmination
years in the making.

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Iphigenia’s Apology

“He loves power. A terrible love.”
—Euripedes, Iphigenia at Aulis

The day the great king sacrificed his child for favorable winds
in recompense for some gravid deer killed in a sacred grove;
—or perhaps the clean calculus of men with swords already thirsty, still a long voyage to Troy
and wasn’t it her aunt who started this whole mess in the first place
bitch Helen with her dimpled thighs so easily and so widely hinged;

those clustered close at the scaffold’s base would later swear: with dying breath
came not the feared but looked-for curse. Her only words, “I’m sorry.”

Dutiful, claimed royal hangers-on long accustomed to the eldest girl’s
guilty proclamations. Her contrition for being too loud, too soft
too much, too little
too argumentative, too acquiescent
too beautiful, too plain.
For the unset place when guests arrived unannounced.
For the household’s every unexpressed desire left untended-to.

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Shorn

Medieval tower with turret in front of blue sky with clouds

There is no prince. Know that first.

The tower, you’ll recognize. The witch, too; an inevitability.

A curse of sorts, petty and grousing, with just enough malice to sour the milk from your neighbor’s cow or rot a field of daffodil bulbs before they blanket the spring in yellow. Not the showstopper enchantment needed to freeze a kingdom, of course, or put entire villages to sleep for a year. A small spell. Not enough to make a husband and wife gift away their newborn son—but a girlchild? For that, sure.

Girls are cheap.

Only takes a mingy spell to get you one of those.

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Zeus Tries His Luck at Online Dating

Or: Even Ancient Deities Get the Blues

Will you save me the choicest bits of meat when you sacrifice a calf
Will you sacrifice your first born
Will you swear to remain a virgin
Or to become one
Do you speak in tongues when you speak in prophecies
Have you been a tree a bird a woman fleeing on foot
Have you turned into stone
If you had to choose a ravishing which would you choose
A swan a bull a cascade of coins
Hymen is the god of marriage
Will you obey us
Will you call us Father
Will you call us Daddy
Will you praise us
Will you praise us
Will you praise us
Will you call it love

~e. alice isak

[Quick note for station identification after the jump. Hope you’ll join me!]

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The Gift

“Eurydice, dying now a second time, uttered no complaint against her husband. What was there to complain of, but that she had been loved?”
— Ovid, Metamorphoses

Disregard what poets tell you.
They hear the thump of their own hearts
and think they have discovered a universe.
Or presume that my beloved, musician to the gods
who never flubbed an entrance in his life,
might in eagerness miscount the beats remaining
to lift his wife back out of death.
Turn for me too soon, an accident.

You living march toward darkness
like a parade, joyous and cacophonous
and blind. Whereas I have already worn my shroud.
And I have already tasted ashes.
The sunlight you steep in cannot thaw bones
already chill with such fore-knowledge.

See the truth. In his final triumphant crescendo,
Orpheus heard a single word fall
from my mouth like a stone:

“Turn.”

And true love did.

~e alice isak