What Child Is This

I need shelter. . .

. . . Let me in.

fire

I need shelter and you have locked me out too long.

I need shelter and you pretend that I prefer to be homeless. I need shelter and you act as though I will dissolve if you simply ignore me.

If you determinedly ignore me.

You ignore me as the trap ignores the mouse, as the hook ignores the fish, as the bait ignores the prey. You ignore me as though I am not part of you, warp and weft; as though keeping me out of your home will render you as complete as you dream you are complete. Complete and solid and rid of me, as though I were not already—always—made out of you and you, out of me.

I need shelter.

Let me in.

I first came from inside, did you not know? But now I seek warmth and you lock me in the cellar. I seek comfort and you cage me in the yard. I am ready to come fully home and still you deny me. To my face, you deny me. You deny the very sound of my knock at the door, even as you open it to ask, “Who is there?”

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Inanna Ascending

“The ordinary response to atrocities is to banish them from consciousness. Certain violations of the social compact are too terrible to utter aloud: this is the meaning of the word unspeakable. Atrocities, however, refuse to be buried.”

~ Judith Herman, Trauma and Recovery

“From the great heaven the goddess set her mind on the great below.
Inanna set her mind on the great below and abandoned heaven, abandoned earth…
Who has ever ascended from the underworld,
who has ascended unscathed from the underworld?”

~ from the Sumerian epic Inanna’s Descent to the Underworld

Queen_of_the_Night_(Babylon)

I. Invocation

Queen of heaven’s ziggurat!
Bringer of war and bestower of lust,
mother of humanity!

If you cannot divine which holy face I turn
towards you from the sky,
remember only this:

You fail to worship me at your peril.

II. Rape Under the Palm Tree

Ask what was I wearing that day
and I will tell you: rags / robes /
nothing at all.

Ask and I will tell you: my sovereignty
flying across the sky like a rainbow.

Ask and I will turn
your blood
to water.

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The Prophet Cassandra Arrives Late to the Dinner Table

John_William_Waterhouse_-_The_Crystal_Ball

She slouches in, ever the surly adolescent;
slides like a grouch into her chair.
Her father, Priam, last king of the impregnable city
(Lo how the mighty walls of Troy forever fall)
is griping again his common complaints of shifty royal advisers
and tax collectors delinquent for the season.
Queen Hecuba purses her lips and frowns; passes down green beans
instead of the mashed potatoes her daughter asks for.
Heaving a weighty sigh, Cassandra tries to catch the glance
of a close-seated sibling, second eldest among her 50 brothers.
Fails, as expected. (Paris’s eyes already so full of Helen
whose beauty he has yet to see. Hands already so full
with the taste of her, he snatches in practice at scullery maids,
at the cook’s assistant; bears them off unwilling
into closets and dark corners—previews
of the world-ending snatch-and-run yet to come.)

The prophet sees in the distance her own snatching,
how this time next year she’ll be knocked up with the Sun God’s curse—
would-be curse, she corrects herself; disbelief comes as a burden
only to those unaccustomed to being disbelieved
and laughs, distracted—a beat too soon,
interrupting her father’s joke before its punchline.
A minute later, redeems herself from his glare by laughing again,
this time at just the right moment in just the right way.
Under the table, she cups her ever-to-be-unpregnant belly
already swelling with a god’s seed,
already feeling the stories push and flutter beneath her skin.

~a.i.


[For more from the Myth & Fairy Tale Project.]

[Image: detail from The Crystal Ball by John William Waterhouse, public domain.]

Steps [The villainess series]

* * *

“But, then again, what if they were role models?”
–Sarah Gailey, In Defense of Villainesses

* * *

old-stone-steps

Steps

I lost my father too, y’know.
Do you see me drowning my hair in ash,
refusing to sleep anywhere but under the kitchen table?

I don’t have a second mother neither,
showing up like magic if I’m ever careless enough
to lose the first one. Nope, just the standard issue—
telling me how much easier I’d be to love
if I lost a little weight,
if I chopped off a little toe.

So I play by the rules, so what.
Doesn’t mean I wrote ’em.

And don’t think for a second I didn’t notice
that little run-and-stumble you pulled on the stairs.
Tripping hard enough to “lose” your crystal shoe
but not hard enough to break it?
Mm-hmm…

Guess it’s true, that old saying:
Them what has, gets.
And those of us who don’t have? Lose.

We lose right down to the bone.

~a.i.


END-NOTE:

Not strictly speaking a “villainess,” I suppose, yet I am struck by the level of vitriol that gets heaped on ‘bad sisters’ in our fairy tales and other lore. Cinderella’s stepsisters. The kind and the unkind girls of Grimms’ Frau Holle or Charles Perrault’s Diamonds and Toads [which I first came upon while researching for my own The Writer Dreams of Rivers]. Even the greedy Goneril and Regan, King Lear’s eldest daughters, fall into this pattern in their contrast with the devoted Cordelia.

And I gotta cry foul.

Continue reading “Steps [The villainess series]”

The Price [The villainess series]

* * *

“But, then again, what if they were role models?”
–Sarah Gailey, In Defense of Villainesses

* * *

seakelp

The Price

Older than the ocean floor she slithers across,
the sea-witch rummages between her cartilaginous breasts
for the shell that stores the latest tongue
and voice in her collection.

Not the first fish I taught to waddle onto land,
she snorts to the anemones.
Not likely to be the last, neither—
and every damn one of ’em convinced
evolution’s just a party trick.
A ploy to meet cute boys.

She’d outdone herself on this one, too:
No talking. No singing. No dancing
without the girl feeling like there are razors
in her shoes.
Absolutely NO take-backs.

Settling her head into the wattles of her throat,
the sea-witch peers, sightless, into the cold ocean night.
Can’t nobody say as I didn’t warn her,
she harrumphs quietly, before pulling the tongue
from its shell and taking
a first bite.

~a.i.


END-NOTE: I have long thought of The Little Mermaid as one of the more cruel and telling fairy tales Patriarchy has gifted us with yet: a young girl gives up her ability to speak, and agrees to excruciating physical pain, simply as the price of seeking love? It ain’t no mere ensorcelling that nabs her voice, either. The sea-witch literally cuts her tongue out. And then our mermaid princess can’t even score the love she sought! Not only does she not get the “happily ever after” Disney grants its Ariel and her thrilling-as-wet-toast prince; in Hans Christian Andersen’s original, her “happy ending” consists of turning into a vacuous “Spirit of the Air” and finding herself tasked with blowing cooling breezes at humans for the next 300 years, in order to earn herself a soul.

(Maybe it’s just me, but by year 75, I figure I’ve turned my back on the whole “gonna get me a soul” dream and am just praying to be turned back into sea foam. Even the most self-abnegating emotional laborer’s gotta find three centuries a bit long, no?)

Anyhoo, that’s been my read on this little ditty about a fish and her prince since forever…until I recently came across a compellingly different take.

Continue reading “The Price [The villainess series]”