Within Every New Beginning Lies an Ending

 

The story of this blog begins, as all good adventures do, with a quest:

glacier

In May 2012, a woman stops. Already retreated almost to the beginning of herself, she thinks: “Only death could be more silent.”

It is not the first time the careful construction of her days has collapsed. Her life resembles a too-often-rebuilt bridge still resonating at the frequency of past traumas as yet unacknowledged. Always she forges a new prosthetic self, a new stuttering engine of dreams and hope to propel her mind forward another year (or, if she’s lucky, a few) before her life crumbles once again.

She is tired of masquerades. She decides to find her own self instead.

This blog records her journey back into voice.

Into my voice.

Of course, this is simply the telling of the story of the story-that-became-my-blog. Events were actually far less poetic, and far more jumbled and chaotic, as they transpired. In a nutshell, after a year spent wrestling myself into and out of suicidal ideation, and following three serious attempts in one month that landed me first in a psych ward, then in intensive outpatient therapy four days a week, I decided to start a blog.

As a means of proving to myself how Totally Recovered And Fine I was now, y’see.

That first post—written 3 years, 5 months, 13 days, and 236 essays/ poems/ articles/ observations ago—seems faintly prescient now, what with its humorous threading of gender and cultural issues through the weft of patriarchal family patterns and pain. But my most recent post, written already 7(!) weeks ago now, belies every early assertion I made of quick or easy resolution. On that day, I was working through “yet another well of despair…another unresolved pocket of pain and grief.” The essential thing, I reminded myself, was to focus on every positive, no matter how seemingly small.

Uh, so.

Yeah. That was then.

And now? Wellll…

For any of you who read the last pages of a book first, let me spare you the suspense: neither today’s post nor my recent hiatus signals the end of Coffee and a Blank Page! In fact, once I can get back to a regular writing schedule, you may not even notice much difference (then again, maybe you will). But I am uncertain what its function for me will become, over the next months and year.

I’m barely certain what I’ve just become, myself.

Continue reading “Within Every New Beginning Lies an Ending”

Cold Hands

[NOT A TROMP POST. While this is a post-US-election piece of writing about the weird twists and turns of grief, beyond that, any similarities between my comments here and the Orange Cheeto-led sh!tshow that is our current political outlook is purely accidental. And sincerely regretted.]

* * *

milk_cropped
Alice, pre-trauma. Apparently very excited about milk.

One of the stranger symptoms I have discovered—as I claw my way back from the dissociative fog of PTSD that rotted out my brain over 25 years of squatting there like a toad, undiagnosed and untreated—is a limited ability to notice my body’s sensory input. I have to cook with overwhelming flavors, or I don’t taste my food. I must remember what I expect to smell, before I can detect an odor. If someone asks me whether a room’s temperature bothers me, without also specifying if they think it may be “too hot” or “too cold,” I often start to panic, suddenly aware that I have no idea what temperature the room is—and no clues from my companion to guide me.

But I noticed something interesting on my walk home this evening: I noticed my hands felt cold.

Continue reading “Cold Hands”

#NotOkay

After the Trump video released last Friday, writer Kelly Oxford tweeted about her own experience—at only 12 years old—of having a strange man grab her crotch. While she may not have expected more than a few friends to respond to her invitation to “tweet me you first assaults,” she has now received hundreds of thousands of stories (a million on Saturday night alone), and the tweets are still pouring in, under the hashtag #NotOkay.

I find myself among those unwilling to join this conversation openly. Not because I do not have such memories in my past, but these are encounters that I either have already shared or have reasons to hold private still. So I am thinking instead about the ubiquity of not only sexual violence in girlhood but also the threats of such violence—and how these twin forces shaped the early years of so many women I know, and continue to color our daughters’ experiences today.

With all that in mind (both the said and the unsaid), I decided to revisit and revamp this piece I wrote a few years ago:


parked cars

My Body Is a Car Door

He and I are drinking coffee together, sitting
each in our own maturity and marveling
the kids these days!
when he says:
­    ‏                      ‏ ‎‌‍“I always thought puberty
was so much worse for girls. Breasts, menstruation—
like living inside an alien.
Boys have nothing that compares.”

“Boners,” I retort.

*** Continue reading “#NotOkay”

Percussion

Interior of a grand piano

Percussion

My marriage was a master class in musical absolutes.
Syllabus: variations on a single theme.

1. Every true composer must first be a pianist.

The piano is a percussive instrument
same as a drum, he told me,

manly as any silverback thumping his chest.

2. Only symphony or opera, only what the plebescite deems “classical”
merits the name of music.

Listen to this pop tune:
(sneering at the repetitive bass thumping of techno or house,
the snare solo interrupting the rock ballad)
Can you imagine any sound more emasculated?

3. Composing is not an art form for pussies.

Not when unzipped and whipped it out
is highest praise for the writing of a concerto.
Or believing your own vision mangled in performance

by flesh-and-blood musicians?
An erection attacked by a thousand paper cuts.

4. I understood:

To make macho sport of penning duets for Cello and Tenor
was a blow struck at childhood bullies

at jocks who called out “fag boy”

at the mother’s drunken boyfriend who’d once pressed his gun
into a small child’s hands—cold steel to toughen up

what hours at a keyboard threatened
to make soft.

5. I understood at last too:

(ordered to my knees, bare backside)
(strop pulled like a whisper from its satin case)

In such man’s logic, any woman’s body could itself become
drum.


 

Once Upon A Time

fairy-hand

SELF-PORTRAIT IN POTENTIA


After the death of memoir, I will write fairy tales.

I desire a purity of language outside the stink of events and memories. Stories I cannot be accused of having invented because of course I have invented them.

Neither full fiction, nor freighted fact.

I would show other bones behind my telling.

*

Fable gifts us fanciful creatures, fanciful bodies, fanciful selves. In the tales, I shall become winged, ogrish, bulky as a mountain, a face all crooked nose and sharpened teeth—by turns witch, killer, a dragon in shadows. I rend flesh. I eat princesses whole. I am wolf and hunter both, my head too full to contain in just one mind, in just one set of teeth.

I am Little Red Riding Hood’s lover.

I pull my feet off the ground and still know where I am standing.

*

I grew up in a gingerbread house, led by a gingerbread man, all of us happy and perfect and filled with gumdrops to our eyelids until at last we bled gumdrops out our mouths, and still we filled with them. I was a princess who gave away her voice for love, who danced in magical shoes until her feet were stumps and slept atop 85 feathered mattresses yet still could find no rest.

All the while being told (small child in a small child’s nightgown) that monsters were never real. The very monsters I could see, could smell.

Monsters whose fur caught on railings, leaving behind tufts that I collected each morning in a pillowcase.

One grows weary of not knowing when to believe the words pouring off one’s own tongue. Over time, one starts to prick one’s finger on every spinning wheel spindle out of spite and desperation.
Continue reading “Once Upon A Time”