“The heart I hold tightly within my chest, tightly holds me back.”
Three years ago today, I wrote these words. They became the title of what I consider this blog’s first true post: a manifesto defying the “Woman, be silent!” command I felt from culture and intimates alike, and claiming instead my right to stand in the middle of my own life and speak my own truths.
A tiny piece—less than 200 words in total—and the first appearance of real voice on my page in more years than I care to recall. “I finally wrote in my own voice!” I exclaimed to my therapist in a session that afternoon.
I was hella excited, to say the least.
[THEN:] “The art and the work and the words I am here to do have been buried by the aggressions of men. By the bodies of men. By the silencings of men. By the refusal of their eyes to see, and their ears to hear. By my own belief that had I only asked politely, respectfully, with clarity of vision and specificity of language: only then I would have received the gatekeeper’s permission.
“Only then would it be proper and permissible for me to seize my own heart and dance myself to exuberant annihilation upon the beaches of my own dreams, that heart clutched tight within my ribs, its steady thumping the pulse to which my feet move.”
Heart and bone. Silence and speech. The body in motion, and the bodies in gender.
Images and themes that have haunted my writing since forever ago yet dissolved into nothingness over time, given away with so much else in desperate exchange for another few years of constricted existence. Sacrificed to whatever vindictive god I felt pursuing me, his breath always hot and far too close upon my neck.
Last year I had the opening words embossed on a ring that I now wear like wedding jewelry, a constant visual reminder of my commitment and primary allegiance: self to self, soul to heart, present and past holding hands as I step (together as one) into the future.
Continue reading “In the Boneyard, Too, Bright Flowers Bloom”