Somewhere in a story, not yet knowing Jason’s name, Medea dreams of floating away across the wine-dark sea into adventure. Her brother’s dismemberment yet awaits her, and the scattering of his parts upon the ocean like torn bread tossed to ducks. Dragon-teeth remain unplanted, a father’s treasures unravished. Many years and many tales not-yet-told lay between her in this moment and the slaughtering of rivals with sartorial poison, the kebab’ing of sons on barbeque skewers to serve at their father’s remarriage feast.
Do you believe for one moment she dreams unbloodied?
Even before the evils, back when her smiles were still Glenda-the-good-witch charming, Medea caught the mind’s eye. More than Jason ever could, that milquetoast memorable for theft and desertion, and capturing the love of a woman so far beyond him that only rankest misogyny stifling to stillborn our daughters’ horizons explains it.
I would be Medea, if I could. Even in the before, yes. And in the after, a thousand thousand yeses. I would stand bathed in blood and vengeance; I would know the dangers of disobeying and fling myself regardless from an Olympic peak.
Brief meditation on the current news and the nature of survival. (Heads up for topic of sexual assault/triggering/Epstein.)
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Yesterday, I read the charges filed against co-defendents Epstein AND Trump for their numerous violent sexual attacks on the same 13yo girl in 1994. It was awful, but I’m used to awful—and the almost-clinical tone of most legalese is generally easier to get through than more evocative writing on the same subject.
And then there were a few words, a halfway-rendered visual image in my head. . . suddenly I’m dizzy, light-headed : my arms are burning : : it hurts to breathe : : :
More than 12 hours later, I still can’t say to you what those words were. Not that I don’t know, you understand. I am perfectly clear what tripped the trigger, but they are surrounded by a giant bubble of silence and darkness that threatens to pull me back in each time I reach to pull those words out.
I’ve been here before.
Maybe you have too. In which case, we both know we’ll be here again, at some unpredictable time.
She slouches in, ever the surly adolescent;
slides like a grouch into her chair.
Her father, Priam, last king of the impregnable city (Lo how the mighty walls of Troy forever fall)
is griping again his common complaints of shifty royal advisers
and tax collectors delinquent for the season.
Queen Hecuba purses her lips and frowns; passes down green beans
instead of the mashed potatoes her daughter asks for.
Heaving a weighty sigh, Cassandra tries to catch the glance
of a close-seated sibling, second eldest among her 50 brothers.
Fails, as expected. (Paris’s eyes already so full of Helen
whose beauty he has yet to see. Hands already so full
with the taste of her, he snatches in practice at scullery maids,
at the cook’s assistant; bears them off unwilling
into closets and dark corners—previews
of the world-ending snatch-and-run yet to come.)
The prophet sees in the distance her own snatching,
how this time next year she’ll be knocked up with the Sun God’s curse— would-be curse, she corrects herself; disbelief comes as a burden only to those unaccustomed to being disbelieved—
and laughs, distracted—a beat too soon,
interrupting her father’s joke before its punchline.
A minute later, redeems herself from his glare by laughing again,
this time at just the right moment in just the right way.
Under the table, she cups her ever-to-be-unpregnant belly
already swelling with a god’s seed,
already feeling the stories push and flutter beneath her skin.
I lost my father too, y’know.
Do you see me drowning my hair in ash,
refusing to sleep anywhere but under the kitchen table?
I don’t have a second mother neither,
showing up like magic if I’m ever careless enough
to lose the first one. Nope, just the standard issue—
telling me how much easier I’d be to love
if I lost a little weight,
if I chopped off a little toe.
So I play by the rules, so what.
Doesn’t mean I wrote ’em.
And don’t think for a second I didn’t notice
that little run-and-stumble you pulled on the stairs.
Tripping hard enough to “lose” your crystal shoe
but not hard enough to break it?
Guess it’s true, that old saying: Them what has, gets. And those of us who don’t have? Lose.
We lose right down to the bone.
Not strictly speaking a “villainess,” I suppose, yet I am struck by the level of vitriol that gets heaped on ‘bad sisters’ in our fairy tales and other lore. Cinderella’s stepsisters. The kind and the unkind girls of Grimms’ Frau Holle or Charles Perrault’s Diamonds and Toads [which I first came upon while researching for my own The Writer Dreams of Rivers]. Even the greedy Goneril and Regan, King Lear’s eldest daughters, fall into this pattern in their contrast with the devoted Cordelia.